Michael Maxwell Steer 2015

Listening to this was a truly transformative experience. I had known vaguely of Eliane Radigue, but had totally forgotten her name. For some reasons I was impelled to google her this morning, while writing to another musician about the relationship between personal musical authenticity and the use of folksong. There is within Kyema an epic archetypal experience which I can recognise despite it being quite at odds with the aesthetic I have evolved in the 25 years since I was working with acousmatics myself.Discovering Eliane Radigue's work is very much the beginning of a journey for me.

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